| |
|


|
|
Why do you use a pen name?
I had no choice. The marketing department at the publishing house said
my last name was too hard to pronounce so I had to change it. I decided to also
change my first name because too often people mispronounce or misspell it. |
|
|
How did you get started?
I was one of those children who started writing stories at six and never stopped.
I sent my first book out at twelve (to the horror of publishers I’m sure)
and soon sent others about tales of mystery, suspense and fantasy. I turned to
writing romantic suspense in my twenties and finally got a “yes.” |
|
|
How can I get news about what you’re writing
next?
You can sign up for my mailing list or send a letter
to me via snail mail at PO Box 10345, Silver Spring, MD 20914. I check my box
frequently and am happy to respond. |

Curious about writing or the publishing industry? Then ask Dara!
She can’t answer specific questions about individual projects or career
problems, but if you have a general question you’d like her to answer send
an email here

|
|
How do I get started?
Get some paper and put words on it. You don’t need a great idea,
a large vocabulary, a special pen, new software, a loft with a computer or a secluded
cabin in the woods. Just your imagination, a writing tool and paper (which is
great news since most writers are broke).
Don’t get in the habit of reading lots of how-to books. That only proves
you’re a great reader not a writer. Don’t worry about agents, publishers
and critics. Just write. (Notice I didn’t say write well. In the beginning
that doesn’t matter, it’s the doing that counts.) Be bold; be fearless!
Writing is not for wimps. If you can’t stop writing despite the crappy pages,
slow days and rejections, congratulations (or in some cases, my sympathies) you’re
a writer! |
|
|
How do I deal with Writer’s Block?
Some authors believe in writer’s block others don’t. Where do I stand?
I believe in stumbling blocks like burnout, depression, exhaustion, fear of failure,
envy and other emotions that will affect your writing (if a beloved pet dies or
you fight with a loved one it’s okay not to know whether your hero jumps
off a bridge or has a ham sandwich).
At times when you can’t write you’ll look at the page or computer
screen in despair. Doubts will threaten to crumble your resolve. You’ll
search the barren wasteland of your mind scrambling for words, any words. Then
you’ll raise your fist to the sky and vow ‘As God as my witness, I’ll
never go wordless again…’ Okay not quite, but you get the idea. Relax.
If you need a break, take it.
You’ll have good days and bad days. Days you’ll love writing and
days you’ll want to scream—it’s called being human. Refuel.
Singers rest their voices, dancers their bodies, employees go on holiday, and
sometimes you need to do the same. Your mind is your tool. When it runs on empty,
fill it up.
Oh, and you don’t have to write every day to be a writer, (heresy I know,
but honestly does a surgeon have to cut someone up every day to be considered
a surgeon?) just finish what you start. Doesn’t that take the load off?
Ah, but here’s the rub. Remember that you are what you continually do.
If you don’t write often… |
|
|
How do I get an editor/agent to look at my work?
First, chocolate scented paper, topless photographs of yourself or your sexy neighbor,
five-dollar bills shoved between every fifty pages or threats of suicide, don’t
work. Be professional. Learn about the business. Writing is a craft; publishing
is a business. Learn the difference or get out now. Run, without looking back,
to the nearest exit—preferably a nice cushy job with health benefits and
a 401(K).
Still with me? Really? You’ve scoured trade journals like Writer’s
Digest and The Writer for information, joined organizations to better understand
the industry and network, bought books like Writer’s Market to review publishing
guidelines and obtain the names of editors and agents? Fine, then send your manuscript.
What? You don’t have one? Just the thirty pages you have been revising
for the past fifteen years or a fabulous idea that you’re certain is a hit?
Return to GO. If you are a beginner, have a completed manuscript. Yes, there are
exceptions to every rule, chances are you’re not that exception. (Most people
don’t make it in this business because they think they are the exception).
The point is you have to prove you can write a book. Besides if Stephen King,
JK Rowling and Nora Roberts can present full manuscripts as unknowns so can you.
Publishing is a business; your manuscript is your resume. It is the documentation
that you’re truly a writer. This proof is essential. Why?
Unfortunately, anyone who can write their name on a postcard believe they can
write a book that will make money. Worse many do. This arrogance only happens
in the arts, but mainly with publishing. Nobody who can skip would deem themselves
a dancer nor would someone who could pronounce gluteus maximus and sew up a chicken
call themselves a doctor. However, every literate person is a writer…if
they only had the time.
Yes, anyone can write. The trick is to get people to pay for your writing. |
|
Yes, yes I know all that, but how do I get an
editor/agent to look at my finished manuscript?
I repeat: Be professional. If you’ve read all the trade journals
and books you should know how to approach an editor or agent. Follow proper manuscript
formatting and send what they request whether it is a proposal or query. |
|
|
Okay now what is a query?
Basically an introduction of your work. A simple one-page request to send a proposal.
The book Attention Grabbing Query and Cover Letters by John Wood can help you. |
|
|
Right and what is a proposal?
A proposal consists of a cover letter, a synopsis and the first three chapters
of your manuscript. |
|
What is a synopsis?
A summary of your book usually told in the third person, present tense
(e.g. Amanda Harlow wakes up one morning and discovers her husband is a frog).
The length depends on the publishing house. Think of it this way. You’re
a business that wants to convince someone to invest in your recent project. You
synopsis is a marketing tool to convince them to do so. Also many editors use
it to write the back cover of a book so make it interesting.
Or think of it another way. You’ve just seen a great movie and you want
to convince a friend to go see it. How would you tell them?
Still confused? Go to the Writer’s Links for
a website on synopsis writing. |
|
|
Do I need an agent?
If you don’t have a manuscript, please skip this question. If you do, the
answer is: Yes and No. A good manuscript sells itself. You don’t need an
agent to submit, I know many publishers aren’t looking at unagented manuscripts,
but you can still query some and get through the door that way. It’s almost
ideal to get an editor’s interest first then contact an agent for negotiations
(don’t say yes yourself, verbal contracts are binding).
Getting an agent after a sale is good because then you won’t be grateful,
which is deadly to a business partnership. If you decide to look for an agent
first then trust your instincts.
Do your research. Check the links on this site, if you know other authors ask
around. Don’t pay anyone to represent you (i.e. reading fees, editing services)
any extra fees should come from your advance.
Sometimes it’s easier to get the attention of an editor than an agent,
sometimes the reverse is true. (If you want a surefire formula, you’re in
the wrong field. Try mathematics.) The choice is up to you. But remember this:
Money in publishing flows in one direction that is to the author. |
|
|
Should I copyright my manuscript? I don’t
want editors stealing my ideas.
Putting a huge copyright symbol on your manuscript will brand you a beginner and
annoy editors and agents who have better things to do than work with a paranoid
writer. You can’t copyright ideas. However how you write the story is under
copyright once you finish it. That’s why developing a unique storytelling
voice is essential. Remember to keep a copy of your work. |
|
I have an idea that is a definite bestseller.
I’ll give it to you and we’ll split the royalties. What do you say?
Thank you, but I’ll be generous and let you keep the idea and write the
book yourself. Congratulations on your millions.
|
|
|
How do I get started?
Sigh… |
|
|
|
|